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Himalayas: A Return to Watercolour

New Delhi, 1991

After nearly three decades, Manohar Kaul returned to the watercolour medium with renewed intimacy and vision. This exhibition offered contemplative views of the Himalayas—rhythmic, luminous, and deeply internalised. The works revealed a mature painter’s instinct for form and silence, transcribing the great mountains not as spectacle, but as spiritual memory.


Catalogue

Catalogue page 1 – 1991 exhibition Catalogue page 2 – 1991 exhibition Catalogue page 3 – 1991 exhibition Catalogue page 4 – 1991 exhibition Catalogue page 5 – 1991 exhibition Catalogue page 6 – 1991 exhibition Catalogue page 7 – 1991 exhibition Catalogue page 8 – 1991 exhibition

Press clipping from The Times of India

THE TIMES OF INDIA, New Delhi, January 29, 1991


Exhibition Highlights

Archival photographs from the 1991 exhibition. Manohar Kaul returned to the watercolour medium with renewed intimacy and vision after about three decades.

Manohar Kaul with art critic Krishna Chaitanya
Manohar Kaul with art critic Krishna Chaitanya
Kaul with eminent artist K. Khosa and a guest
Kaul with eminent artist K. Khosa and a guest
Leisure moments with a guest, Mohini Kaul, artist Kishori Kaul, and daughter-in-law Archana Kaul
Leisure moments with a guest, Mohini Kaul, artist Kishori Kaul, and daughter-in-law Archana Kaul
Group photo
Sudha, Suman, Usha, Ritu, Vinod Kuchroo, Shammi Walia, and Mohini Kaul
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